Wednesday, March 19, 2014

Pulling the whine card: An Ink Master's Review


Oh Ink Master, yet another week has us wondering what kind of season this is really going to be.  So with a box of tissues in hand we rejoin our happy band of crybabies as they strive for the approval of their industry babysitters.  This week’s theme is placement, the art of designing a tattoo so that it flows with the shape of the body and that all the elements of the tattoos relate to each other in size and location.  In other words this fundamental is huge in the tool kit of an ink master!  So how will the creative minds of this Spike TV programs push our plucky little ink-ers?  By parading in a line of naked bodies of course!

The flash challenge this week takes place in a flower shop.  The artists are given instruction to tattoo their naked canvases with a piece that complements the lines of the human body.  Now being mostly men, the first thing that is mentioned is some discomfort at not wanting to tattoo a penis.  The next thought is oh look boobies!  So I’m totally thinking that everyone is getting these gnarly placements that require the canvases to bare it all, most of these people are getting leg and arm tattoos.  So the naked body is a distraction?  It’s got to be sweeps week or something.  Sausage tries to make an argument that having the full view helps to place the tattoo correctly, but I don’t think I would need to be staring down the barrel at some guys junk to get an idea of how a tattoo is going to fit his thigh.

The tattoos that are produced are very well thought out, for the most part.  However, poor Randy struggled with his piece placing a weird looking lizard tattoo square in the middle of his models back.  It sadly just seems to be swinging from nowhere and poses a threat to later tattoo projects.  The big stand out was definitely Scott’s tree design that sit nicely between his models scapula’s.  The most delightful part of the design had to be the long placement of the stairs in front of the tree giving it a path that your eye can follow up and the branches that round out and fades beautifully.  Halo is less than impressed, and explains that a tree is a cop out because you can twist and turn the branches to a desired shape.  While that is true if you distort a tree too much it can become illegible and the tat loses its significance leaving it looking like an attempt to fill space.  In the end the judges side with Scott and give him the power to assign the tattoos for the elimination challenge. 

Unlike the “honorable” distribution of Sausage, why god would you want to be called that?!, Scott decides that he wants to start chucking everyone under the bus.  His evil plan is to give the hardest tattoos to the top players; the hilarious thing is that they actually whine about it!  Look, if I had the power to give my opponent a difficult canvas or design, I’m going to do it.  You do not enter an art competition to make friends; you enter it to do the best you can and to make your piece look like a brick of gold.  What better way than to surround it by a bunch of shiny turds?

As for the challenge itself, this elimination challenge is to use the principal of placement while designing an aquatic themed tattoo that complements your canvas’s body.  Yes, I’ll admit to singing songs from the little mermaid as I scribbled my notes this week.  Now, when looking at an aquatic piece I think that Matti’s quote best described what could possibly go wrong.  “In the ocean there’s a lot of shit next to a lot of shit and if you don’t place them right your tattoo will look like shit…”  The man can turn a phrase can’t he?  The gripe in this challenge is that all of the canvases seem to want the entire ocean in a neat little package, in full cover, in like 6 hours.  Totally doable right?  Just ask Halo whose canvas wanted a chest filled with everything under the son and was told to pick 7 things.  That ought to make it more manageable right?  Despite the tall order of his client, Halo did not get the worst case scenario by far, that award was graciously given to Bubba who must tattoo the god of the sea atop a horse drawn chariot in an 8x8 square on his model’s ass.

The hate in the air was palpable as Scott decided to strut around and taunt his victims.  To say that there is a target on this guy’s forehead is a gross understatement.  I’m all for confidence but the resounding “Fuck you” from every shop should give you a few hints that you may have taken this a bit too far.  Comparatively speaking this week’s walk through the shop seems so uneventful.  No one’s hurting, or freaking out, there just seems to be focus and work.  I kind of like it.  What I don’t like is this weeks guest judge, CC Sabathia, a pitcher for the New York Yankee’s.  I’m not sure why he’s there, it’s like Dave hosting, he has a lot of tattoos so he must know something about art and what makes a good piece right?  Who picks these people?!  Seriously?!

Here are my notes from last night’s elimination pieces:

Scott:  This shark was placed beautifully in proportion to the ship and the other hammerhead in the distance.  The radial burst helped to break up the blue and give it an upward flow instead of the head on or down ward movement of a lot of aquatic pieces.

Halo:  Oh dear sweet Halo, the good thing about this tattoo is that it’s heavily saturated.  The colors are deeply packed in and I’m going to believe it will heal nicely, the craptastic part?  It looks like a page of a coloring book.  It’s so cartoonish that it really detracts what could be.  Still good enough for middle this week.

Melissa:  This mermaid was just hard to look at, I know the client didn’t want pretty but, I’m sure that the scratchy coral that she was sitting on wasn’t planned either.

Lydia:  Nice looking squid but, I would have wanted to see some more movement with the water to really showcase the details that she is capable of.

King Ruck:  It’s a shark chasing a seal, my biggest beef with this shark is that his bodies all twisted up and it looks like he’s just floating in midair doing nothing.  I love sharks, I really do and especially the great white you are trying to portray, but the tail crushed my insides.

Matti:  It’s a traditional take on Moby Dick, not good not bad just meh. 

Bubba:  Oh this one hurts, if you were trying to channel the god of the ocean’s you got miss directed to roided out Santa.  Hard work this time around Bubba but keep your head up.

Jim:  Mind you, I want to hat this guy because he looks so much and acts so much like my son’s father that I want to spit but, the man can really tattoo.  I think he’s seriously being under estimated here.  The diving helmet he put out has a lot of really great things going for it,  Using air bubbles he cuts through and creates some sound proportion ideas while his strong outline gives the tattoo a real pop.

Kyle:  I want to love this man.  The turtle is so beautiful!  It has the perfect scaling and depth, but you fish look like gold fish crackers… Sadness.

Keith:  It’s another traditional piece; however it was really unwise to make the anchor and the eel the same color. 

Randy:  Another really bad watercolor.  I don’t see a future for him in this game or in this business quite frankly.

Sausage:  Wow, the flow of this piece is fantastic.  The tentacles give a great way to break through blocks of color and gives great shape to the piece.  I was very impressed.

Roland:  This looks like an odd paint by number, I know it’s not the worst but the scratchy blue is really off putting to me…

Gentle Jay:  It’s an okay piece until your eyes move up to the oddly placed striped background.  I wish there was more pop in the ship’s bow, I think that really could have saved it.

So the critiques come in and are received with a mix of relief, disappointment, anger and accusations.  The two critiques that stood out to me were Kyle, who by all means did a brilliant Sea Turtle, but gave no definition to the fish and coral around it which really hurt the design.  Of all things he has learned Kyle still hasn’t found a way to keep his anger and anguish at a bad critique in check.  He challenges Chris Nunez’s opinions that his piece is a middle of the road piece and as much as I love Kyle’s work… I have to agree with Chris and hope that Kyle slows down again and goes in again with consistency and attention.

The largest upset though is Randy whose bad critique he contributed, not to his lack of talent, but to his being gay.  The problem with that is that being gay doesn’t have anything to do with being good at what you do.  In fact after he accused the judges of being against him for his sexuality, with no evidence at all, you almost wanted him to go home.  Here I thought we would get through the episode without sniveling… I was wrong.

In the end, Scott’s hammerhead clinches victory and he decides to nominate Randy, for his lack of talent not who he decides to sleep with.  The human canvas jury decides to nominate Roland for his lack of bright popping colors, and the judges call back Bubba.  Despite his claims that the completion is biased against his sexual preference, Randy has an emotional exit.  This doesn’t stop him from telling Nunez that he’s not cute.  Ouch, see ya Randy.         

   

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